Life as Navigation Everyone has an anchor when they enter a film. With a little exposure to world cinema, that anchor for each film is rooted in the tradition you select from that culture. This is a personal choice, made long before you encounter the film. Quite possibly, no national cinematic tradition offers a starker… Continue reading The Man Without a Map (1968)
Tag: 1960s
Films released in the 1960s
I Am Cuba (1964)
Sculpted Spatial Force Is this the best film ever made? For me today in its afterglow it is. I’m so fickle. I think if all else were equal, I’ll always take embodied, real cinema that is coherently integrated. The way of telling the story is ideally complex and folded, using tricks to make the story… Continue reading I Am Cuba (1964)
Nanami: The Inferno of First Love (1968)
Fluid Abstraction You may find this hard to see. It is a Japanese “new wave”, film. It has a story of course, but such things are largely irrelevant. I’ll give it because you may not see it. (In my comments, I assume most folks have seen the film.) A young man was abandoned as a… Continue reading Nanami: The Inferno of First Love (1968)
The Sinister Monk (1965)
4 Conspiracies In the heyday of mystery writing, we had Sayers, Christie, Chesterton and a dozen others who were artists of narrative curves. The game was to create a world, but us in it and only later let us know how wrong we were. And then we had formula pulp writers, many of whom had… Continue reading The Sinister Monk (1965)
Japanese Summer: Double Suicide (1967)
Solid Shadows with Death Wishes I know a few of this man’s films. They are among the richest experiences I know, but I was surprised at how deeply this one worked on me. The surprise comes in part from knowing how specific his target audience was. I am the right generation but the wrong decade… Continue reading Japanese Summer: Double Suicide (1967)
Exodus (1960)
Stalled Ship I wonder what damage we are doing to ourselves by writing false history. All history is fictional. It must be because it abstracts single narratives from the hubbub of life. We hope that the narrative models something that can be traced back to facts, can be proved to be what we call true.… Continue reading Exodus (1960)