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Oedipus Rex (1993)
Oedipus Rex
Filmmaker(s): Julie Taymor

Impressed by Jean Cocteau’s rewrite of Antigone, Stravinsky asked the poet for an adaptation of Oedipus Rex. The resulting libretto brings together the key scenes of Sophocles’s tragedy translated by the Abbé Jean Daniélou into Latin—a language that, according the composer, “is not dead but engraved in stone, and so imposing that it is immune to any popularization”.

Sparse Riches, Sight and Containment I was asked recently who my favourite woman filmmaker was. I didn't hesitate in my answer, Julie Taymor. She's not a real filmmaker in the sense I demand, more of a set designer with an eye that understands the effect of camera...


Published December 4, 2024
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Three Colors: White (1994)
Filmmaker(s): Krzysztof Kieślowski

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Parallel Conditionals Kieslowski's trilogy is usually explained, even by him, in trivial terms, this being the "equality" segment. But this is an intelligent filmmaker, one of the type who actually thinks about the narrative stance of his projects. In this case, we have "Blue" which follows...


Published December 4, 2024
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Short Cuts (1993)
Short Cuts raises the roof on America.
Filmmaker(s): Robert Altman

Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.

Space Jazz Altman is uneven, and not all of his failures are interesting. But he does one thing better than anyone else. And so far as I know, he invented it. Most filmmakers start with someone else's vision, and then make it real. The better ones...


Published December 4, 2024
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Three Colors: Red (1994)
Filmmaker(s): Krzysztof Kieślowski

Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.

The Folded Present In addition - or perhaps in spite of - what you have heard, this trilogy is organised around the three main choices one can take in narrative stance. ‘Blue’ was about the past, ‘White' about the ‘conditional' future(s) and this one about...


Published December 4, 2024
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The Pillow Book (1995)
Filmmaker(s): Peter Greenaway

A woman with a body writing fetish seeks to find a combined lover and calligrapher.

Stop Making Sense I think Greenaway makes very smart films, and I'm really glad he's around. His intellect is always tuned to ideas about the visual, so we get a double measure: his images and his commentary on those same images. You should see this film...


Published December 4, 2024
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Institute Benjamenta, or This Dream That One Calls Human Life (1995)
Filmmaker(s): Stephen Quay, Timothy Quay

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

The Cloven Film is a constant war between the forces of narrative. On one side are the forces of personality: we simply like to think in terms of characters in situations. Few things are as rich as the human face, and nothing as compelling as curiosity...


Published December 4, 2024
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The Thin Red Line (1998)
Every man fights his own war.
Filmmaker(s): Terrence Malick

The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.

Wittgenstein's Red Line of Abstraction I met Malick in 68-69 at MIT where I was taking a degree in philosophy. MIT had the decade before gone through a soul-searching re-evaluation of the type of scientist it was producing, and concluded that they could do much better...


Published December 4, 2024
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Sweet and Lowdown (1999)
Filmmaker(s): Woody Allen

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Sweet Woody is uneven to say the least. His most celebrated films strike me as failures by overreaching. But here the aspirations are slight and the result is rather winning. All of Woody's pictures are self-referential in the sense that they are about him, his foibles and...


Published December 4, 2024
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Marcel Proust’s Time Regained (1999)
Filmmaker(s): Raúl Ruiz

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

Recognition, Invention, Counter-regret This is one of the most ambitious film projects I have seen, risky and successful. It is not successful Proust in my opinion, something different but similar. Proust used the magic of words to weave a life out of remembered fragments. That magic depends...


Published December 4, 2024
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In the Mood for Love (2000)
Feel the heat, keep the feeling burning, let the sensation explode.
Filmmaker(s): Wong Kar-wai

In Hong Kong of 1962, Mrs. Chan and Mr. Chow, a journalist, move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their respective spouses creates an intimate bond between them.

Repetition, Secrets, Space Start with your typical Hong Kong Kung Fu movie. A normal director will simply film that. But not this guy. What drives kung fu movies is not the bozos doing the fighting, but the masters behind them who use them as surrogates. But then,...


Published December 2, 2024
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