Category: IMDB Comments

Comments made for the Internet Movie Database

Kung Fu Hustle (2004)

Comedic Self-reference You can read from others about the basic nature of this, and how widely it is admired and enjoyed. I myself admire and enjoy it. It is a movie about movies. Its something between a “Scary Movie” style parody and a “Charlie’s Angel’s” … What’s called an homage but is really more of… Continue reading Kung Fu Hustle (2004)

King Lear (1987)

English Recursion Meets French Semiotics Lear is about sight and truth, and incidentally about how devilish charms (derived from the audience’s participation and perception) bend sight and truth. So it (and the similarly placed ‘The Tempest’) are naturals for film, especially self-referential films about films and filmmaking. Self-referential filmmaking is an art that the French… Continue reading King Lear (1987)

Cheeky (2000)

Nonchalant Openness Some films are simply about the appeal of one character. That’s all that matters. There seem to be two types: those that depend on the charm of attractive women, and those that have to work some other engagement. Often that’s the acting challenge. I’m thinking in particular of Audrey Hepburn and “Funny Face.”… Continue reading Cheeky (2000)

So I Married an Axe Murderer (1993)

Green Haggis Sometimes a movie only develops worth after a subsequent movie worked. I myself disliked “Shrek” because of the underhanded attempt to undermine the Disney/Pixar alliance, and the smarmy Bill Gates strategy. But some people did like it, largely because of the voices and key to that was the Scots’ version of Shrek. Apparently,… Continue reading So I Married an Axe Murderer (1993)

The Life and Death of Colonel Blimp (1943)

Three Strikes To me, what‘s interesting about this are the many different, completely different ways one can approach it. For most folks, at the time this was made, it dealt with deep national issues of identity and war. For most others fifty years later, this is a character study of an apparently comic fellow, who… Continue reading The Life and Death of Colonel Blimp (1943)

The Hound of the Baskervilles (1959)

Mongrel Sherlock was an invention of the times, following the new idea of evolution. The notion of pure reason being able to perceive and comprehend everything in life was especially novel. This was contrasted to the bumbling inductive logic of doctors like Watson. Handling Holmes is easy if you stick to the magic of Holmes… Continue reading The Hound of the Baskervilles (1959)

The Falls (1980)

Borges Meets Hitchhiker’s Guide How Greenaway surprises. Here is an early work that is rich in ways that in later works seem submerged. The concept: A ‘Violent Unexplained Event’ occurs at 11:41 PM GMT, 14 June, People experience physical changes, often transitioning to birds. 92 new languages appear, and 92 birdnames are embossed in some… Continue reading The Falls (1980)

The Big Picture (1989)

Guest Travels in Search of an Ironic Formula As the child of intelligent film critics, Guest was poised to start a career in midstream, already aware of the dominance of irony in film. He would go on to develop and shamelessly exploit a specific, detailed formula for films about and using irony: the “mock” umentary… Continue reading The Big Picture (1989)

Big Daddy (1999)

The Goof It is always been an American film staple to have a simpleminded but purehearted hero. Chaplin invented the image. He would be appalled at how the notion has been appropriated by the US Republican party. An excellent character is all that matters, especially compared to the archetypical Democrat played by the worrywart “responsible”… Continue reading Big Daddy (1999)