Storm Boy (1976)

Mockingbird I’ve had the advantage of being old, and living in both the US and Australia and raising kids in each. That gives me a perspective on the book before seeing the film. Every so often, a young adult book hits a sweet spot in the national heart. I believe it is because we yearn… Continue reading Storm Boy (1976)

King Richard (2021)

The Cosby Curse One of the effects of a rich society is the luxury of spending time watching sports, engaging with the intricacies of statistical pockets, and the supposed drama of its celebrities. Only film and its media feeders can similarly create such icons, so it is natural that the two overlap, with TeeVee as… Continue reading King Richard (2021)

Strange World (2022)

Ted’s Law Forget the story; despite the appealing message(s) this is not a decent way to spend time. But it does illustrate a principle I have noticed, which I believe applies universally in film projects and in most successful introspective AI projects. I modestly call this ‘Ted’s Law’. Here’s how it works in this case:… Continue reading Strange World (2022)

Holmes & Watson (2018)

Deductions This did not make me laugh. Apparently it had the same effect on almost everyone. But I credit these folks with taking risks. Humour is an evolving quality, and some brands of humour demand being on an edge between the unexpectedly awkward and the emotionally obese. The uncomfortable thing for me is that I… Continue reading Holmes & Watson (2018)

Monitor: The Prince of Denmark (1963)

Astonishingly Internal This is a BBC interview show that has Orson Welles, Peter O’Toole and some other older fellow (Ernest Milton) talking about ‘Hamlet’. Orson was well into retirement from attempting film masterpieces, including two ambitious Shakespeare productions. His ‘Othello’ is really something. He’d been in two stage Hamlets at this point which he disparages.… Continue reading Monitor: The Prince of Denmark (1963)

The Midnight Sky (2020)

Dersu Solaris Films about filmmaking and internal narrative will always get poor reception among the general public. Nolan is able to straddle the line by delivering worldly action; that’s why his effects have to be so practical. But in general, when you make a film with this type of introspective power, and you are not… Continue reading The Midnight Sky (2020)