Stuck in the Box The story is conventional Disney, and in the trend of expanding the reach of established properties, with as little actual drama as possible. Three things are notable to me. This was shot on video, with a deliberate nod to cheap TeeVee productions from decades ago. Every visual choice was designed to… Continue reading Christopher Robin (2018)
Category: Ones
Films rated one star out of three
Blown Away (2019)
Someone Else’s Bubble I don’t know who originated the formula. I’ve seen it on “Legomasters”. You start with 8 teams, here 8 glass artists. You give them an assignment, material and some time. Then their creation is judged, someone eliminated until there is a winner. With Lego it works. The competitors are pairs — friends… Continue reading Blown Away (2019)
Haywire (2011)
Needles I saw this years ago and could not find anything useful to say about it. I saw it again because I am trying to understand what Soderbergh is doing with his life. He worries me because I have invested part of my life to films he has made. I know him to be capable… Continue reading Haywire (2011)
Ice Age 5: Collision Course (2016)
Acorny I cannot recall which of the previous I liked and why. It may have been the story that included the telling of a story. But that depends on coherence, and what have here are several sties or skits smeared into each other. There are the obligatory Scrat sequences that give some relief from the… Continue reading Ice Age 5: Collision Course (2016)
Aunt Peg’s Fulfilment (1981)
Unfulfilling Classic porn, the kind celebrated in “Boogie Nights”, cannot be avoided if you are serious about studying film. An amazing number of these, mostly from the 70s, have pretty cleverly engineered contexts. It is completely different than the porn of today, where there is no attempt at story. Often, those old films stretched for… Continue reading Aunt Peg’s Fulfilment (1981)
War Games (1983)
Winken and Blinken There is less reason to see this now than when it was made, except for the lesson that is more clear here than in current filmdom: how do you cinematically convey concepts that don’t fit our fairly limited vocabulary? The lesson here is stark, only because we have greater familiarity with computers… Continue reading War Games (1983)
The Sinister Monk (1965)
4 Conspiracies In the heyday of mystery writing, we had Sayers, Christie, Chesterton and a dozen others who were artists of narrative curves. The game was to create a world, but us in it and only later let us know how wrong we were. And then we had formula pulp writers, many of whom had… Continue reading The Sinister Monk (1965)
Exodus (1960)
Stalled Ship I wonder what damage we are doing to ourselves by writing false history. All history is fictional. It must be because it abstracts single narratives from the hubbub of life. We hope that the narrative models something that can be traced back to facts, can be proved to be what we call true.… Continue reading Exodus (1960)
Jim Hanvey Detective (1937)
Straw Dogs You can do better than watching most current movies by noodling around with old detective movies from the 30’s. They are generally not very good, but collectively they defined the base for our most common idiom. This one, thankfully, has no racist comedy player. It does depend on colourful characters and is staged… Continue reading Jim Hanvey Detective (1937)
Double Door (1934)
Panic Room During the last depression, moviegoers were obsessed with the wealthy. As with the aristocrats in Europe, these folks neither created nor managed wealth. They just had it and wanted more. Here we have a domineering woman who believes she deserves it all, taking from rich peers in the same family. The thing can… Continue reading Double Door (1934)