Camera in the Head I’m an enthusiast of film, the kind of film that uses the uniquely cinematic qualities of the medium. From time to time, I see a non-cinematic film which I like. This is one such. By non-cinematic, I mean that the film is not more than play. Film adds only a few… Continue reading The Big Sleep (1946)
Tag: 1940s
Films released in the 1940s
The Life and Death of Colonel Blimp (1943)
Three Strikes To me, what‘s interesting about this are the many different, completely different ways one can approach it. For most folks, at the time this was made, it dealt with deep national issues of identity and war. For most others fifty years later, this is a character study of an apparently comic fellow, who… Continue reading The Life and Death of Colonel Blimp (1943)
The Big Clock (1948)
Gears This has a crackerjack beginning: you zoom into a city through a window (common today but rare then) tracking a man going into the inner workings of a giant clock, then we zoom from the inside of the clock top the outside, then focusing on the time, zoom back three days and across the… Continue reading The Big Clock (1948)
Bicycle Thieves (1948)
Stolen This is a film about a child, one who is both IN the film and watches it. Hard as it is to imagine today, the world of film was had ideas on the surface, and lively controversies. Men took risks and sometimes survived. Here is an experiment in urban photography, naturalistic acting (rather, naturalism)… Continue reading Bicycle Thieves (1948)
Best Years of Our Lives (1946)
Slow Meditation on Observation This treacly story hides some masterful filmmaking. Film is all about observation, except the observed usually contrive to make the observer feel unobtrusive. During this period, intelligent filmmakers were playing with the form so that often films were not only engineered observations but the matter of the movie itself was about… Continue reading Best Years of Our Lives (1946)
Arsenic and Old Lace (1944)
Playing with Plays Adapted for the screen by the same folks who next did “Casablanca,” incidentally with Lorre. Filmed by someone known for his light touch. I’m not of a fan of Capra’s, as he values the little quirky hooks in the story and dialog and depends on some grand sweep (usually nostalgic) to make… Continue reading Arsenic and Old Lace (1944)
Appointment with Crime (1946)
Hands Off For me, noir is a very specific form. It is as pervasive and important an invention as Jazz. The thing that distinguishes it is a main character who is put through the wringer in circumstances that would never occur if there were not us ghosts watching and manipulating reality. It had a long… Continue reading Appointment with Crime (1946)
All the King’s Men (1949)
Actors, Politicians As a film, this hasn’t aged well. The various elements, especially the acting, now seem dated and… well, lousy. In its day we overlooked all its shortcomings because it was grand and relevant and seemingly true. That political sweep still resonates. But I suspect that where the film reflected political reality, it and… Continue reading All the King’s Men (1949)
The Dark Mirror (1946)
Her Sister Rose An actor’s challenge is when they are required to create their own mob, create the tension they are to hold. I’ve just seen a few “multiple people in one body” type films. Here we have something different: one actress playing two characters, exact twins. One is a murderer, we discover early in… Continue reading The Dark Mirror (1946)
Dark Command (1940)
Before the Pattern John Wayne ruined the western for me. The whole idea of the western until Leone was in constant repetition, walking the same route every time so that subtleties could be emphasised. Since everything else was given, we could focus on the smallest things. Real art in moviemaking is in picking the right… Continue reading Dark Command (1940)