Birdman or (The Unexpected Virtue of Ignorance) (2014)

Parasitic Nests I have a particular interest in five different cinematic styles, worlds actually. One of them I have named the Hispanic style. It is characterised by: elements of magical reality, either in supernatural physics or synchronous connections. a belief that the world is rich, fecund. Occasionally female sexuality is interwoven. Characters are both in… Continue reading Birdman or (The Unexpected Virtue of Ignorance) (2014)

App (2013)

Vision This promises two things. One is a lightweight system to connect an App with a movie. You download the free App and launch it. It listens to the film and synchronises some images and a little video from time to time. This is a fantastic idea, but in this case the experience wasn’t expanded.… Continue reading App (2013)

American Sniper (2014)

Focus I watched this like many others, consuming a rather simple story. Superficially, we are to admire this soul, both as an individual and representative of a collective who ‘serve’ us. As with Forgiven, we have some subtle exit from the story in the direction of despair for the country. Along the way we have… Continue reading American Sniper (2014)

Sherlock Holmes (1954-1955)

Sluggo Yet another appropriation of the Holmes character. In this case, they had 23 minutes to fill with enough attractiveness to sell stuff. The form demands light banter, very simple plots and secondary characters, and lots of slugging. Slugging is required. Like other appropriations of the Holmes character, only the affect is used, and none… Continue reading Sherlock Holmes (1954-1955)

Margaret (2011)

Situations Okay, I’ve been through both edits of this now, after recommendations from several readers. I get what he is trying to do. I am writing as someone who prefers the Cannes edit of ‘Brown Bunny’ and who eagerly sat through 3 1/2 hours of ‘The Falls’. I think this is a failure, a failure… Continue reading Margaret (2011)