A sex-obsessed young woman, a suicidal young man she meets on the street, a gun-crazy wannabe gangster—these are just three of the irrational, oddball anarchists trapped in an underground hideaway in Oshima’s devilish, absurdist portrait of what he deemed the “death drive” in Japanese youth culture.
13 May Japanese Summer: Double Suicide (1967)
Solid Shadows with Death Wishes I know a few of this man’s films. They are among the richest experiences I know, but I was surprised at how deeply this one worked on me. The surprise comes in part from knowing how specific his target audience was. I...