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Fat Girl (2001)
Filmmaker(s): Catherine Breillat

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Sets Us Aside Brellliat drives me a little crazy. She is an observer of one small corner of life and seems incidentally a filmmaker. You get different editions of her observations on the distance of young sex across which we throw ropes. So the question is which...


Published November 13, 2022
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The Kovak Box (2006)
Filmmaker(s): Daniel Monzón

David Norton is used to being in control. As a best-selling author, he decides the fate of his characters, their lives and their deaths. But what happens when his fictional world becomes all too real?

Inverted Writing There is a standard form for a movie like this. It is so heavily imprinted that when you encounter a deviation, it shocks. We have a writer who wrote a book that comes alive. We expect that the relationship between book (the film within)...


Published November 9, 2022
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Family Guy (1999- )
Parental Discretion Advised, that's how you know it's good.

Sick, twisted, politically incorrect and Freakin' Sweet animated series featuring the adventures of the dysfunctional Griffin family. Bumbling Peter and long-suffering Lois have three kids. Stewie (a brilliant but sadistic baby bent on killing his mother and taking over the world), Meg (the oldest, and is the most unpopular girl in town) and Chris (the middle kid, he's not very bright but has a passion for movies). The final member of the family is Brian - a talking dog and much more than a pet, he keeps Stewie in check whilst sipping Martinis and sorting through his own life issues.

Formulas It all started with “The Flintstones”, I suppose. In its time, it was novel. Since then we’ve had a number of versions of the dumb dad cartoon. This one was recommended to me by a reader because it is edgier than the others. Here’s the formula...


Published November 8, 2022
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The Great Wall (2016)
1700 years to build. 5500 miles long. What were they trying to keep out?
Filmmaker(s): Zhang Yimou

European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures.

Jump! I am an admirer of this filmmaker, and he does better when he gets closer to a single soul or small collection of them. But for large projects he seems to be able to understand how to group extras and their CG equivalent for...


Published November 6, 2022
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Fatty’s Spooning Days (1915)
Filmmaker(s): Roscoe Arbuckle

When Mabel catches her husband flirting with their maid, it leads to a sharp dispute. As part of making up, the couple decide to take a walk to the park. Nearby, another married couple have just had a similar domestic squabble, and they too go to the park together. But at the park, all parties involved find it difficult to avoid getting themselves into further trouble.

Wife-swapping As a comedy, this one is poor in the things that seemed to matter, the physical bits, the comic takes when the situation turns sour. But its amazing in what it chooses as its story. Remember, film was young, younger in those days that the web...


Published November 2, 2022
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iMurders (2008)
No one is safe in cyberspace
Filmmaker(s): Robbie Bryan

A mysterious love triangle leads to a tragic shooting. Months later, eight members of a MySpace-esque chat room are being gruesomely murdered in the privacy of their own homes.

Kernel Panic You know what? This is pretty incompetent in a few ways, but the incompetence works for it. This is a murder mystery of the old school. You are introduced to characters. Murders are being committed. Clues are placed around. Many suspects and many motives are...


Published October 28, 2022
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Inside Man (2006)
It looked like the perfect bank robbery. But you can’t judge a crime by its cover.
Filmmaker(s): Spike Lee

When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.

Inside Out I want to like Spike, I really do. He has a natural cinematic imagination, something you can see from the very beginning. And he is flamboyant with the camera which I appreciate when the confidence is rewarded. Plus other things. He seems to have backed...


Published October 26, 2022
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Okja (2017)
Filmmaker(s): Bong Joon-ho

A young girl named Mija risks everything to prevent a powerful, multi-national company from kidnapping her best friend - a massive animal named Okja.

All Rind I differentiate between storyteller/filmmakers and the story itself. It isn't such a clean break as this of course; the narrative contract inveigles. But the distinction is useful here. He has a scope that he is interested in which could be described as: navigating the pull...


Published October 9, 2022
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Alibi Mark (1937)
Filmmaker(s): Joseph Henabery

When an out-of-work Chicagoan travels west as a hobo on a freight train, he finds himself falsely accused of murder.

Signs of Trauma, Film as Meal Wow, what a strange film. My interest in these comments is in the qualities of introspection: where the viewer is placed in the narrative and how different layers of that stance are manipulated. The CCC, as duly described in this...


Published October 2, 2022
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The Equalizer (2014)
What do you see when you look at me?
Filmmaker(s): Antoine Fuqua

McCall believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when he meets Teri, a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by – he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.

Tattoo Signals Standard fare: good guy is endowed with superhuman killing capability, presumably used in the past for what the Agency thought was good. In simple retirement, he is drawn by his sheer goodness into massive, efficient elimination of the bad guys. There isn’t much...


Published September 30, 2022
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