Solid Shadows with Death Wishes I know a few of this man’s films. They are among the richest experiences I know, but I was surprised at how deeply this one worked on me. The surprise comes in part from knowing how specific his target audience was. I am the right generation but the wrong decade… Continue reading Japanese Summer: Double Suicide (1967)
Category: IMDB Comments
Comments made for the Internet Movie Database
Exodus (1960)
Stalled Ship I wonder what damage we are doing to ourselves by writing false history. All history is fictional. It must be because it abstracts single narratives from the hubbub of life. We hope that the narrative models something that can be traced back to facts, can be proved to be what we call true.… Continue reading Exodus (1960)
The Phantom Empire (1935)
Subterranean Drugs I’m involved in a study of ‘folding’ in film; folding is a matter of overlain or referenced narratives. Sometimes the folding is something only of interest to highbrow specialists, but usually it is a matter of fun. Some folding is a matter of introducing bizarre conventions, and once they enter in one film… Continue reading The Phantom Empire (1935)
Double Door (1934)
Panic Room During the last depression, moviegoers were obsessed with the wealthy. As with the aristocrats in Europe, these folks neither created nor managed wealth. They just had it and wanted more. Here we have a domineering woman who believes she deserves it all, taking from rich peers in the same family. The thing can… Continue reading Double Door (1934)
Frankenstein (1910)
The Witch’s Looking-glass I’m putting this on my list of films you must see. It is short and at first glance completely uninteresting. But look again. Here’s what happens: Young Frankenstein goes to college where he discovers the secret of life. Interesting that the filmmakers would think it cinematic to watch a man think and… Continue reading Frankenstein (1910)
Jack and the Beanstalk (1902)
The Movie Within I’m writing a book about “folding” in film, a situation in its simplest form is seen as a movie within a movie. This is the earliest example I know. The movie itself is about 12 minutes long. There are no dialog cards because presumably all viewers would know the story in detail… Continue reading Jack and the Beanstalk (1902)