The Token Investigator This is about the series in general. My perspective is one that is a bit egg-heady I suppose. I study film and the evolution of film and how it sees itself. One milestone in any evolution is when something becomes so well known, so surrounded by its meaning that it becomes material… Continue reading Inspector Gadget (1983-86)
Tag: p2003
Comments first posted in 2003
Rikyu (1989)
Broken Black Bowl Film can be something thinly exploited for pleasure, or it can serve as tool for living. Many films span the two existences, but not this one. If you are looking for a way to amusingly spend time, this isn’t for you. But if you want something that is intensely lush and explicitly… Continue reading Rikyu (1989)
The Stunt Man (1980)
Citizen Crane There are quite a few movies like this, films that reference films and that also aver that the drama within can bend the reality without. The kernel of this idea was ‘Citizen Kane’ but it seemed to flower after John Fowles published ‘The Magus’ and the Beatles followed his lead. This one has… Continue reading The Stunt Man (1980)
Ignition (2001)
Wet Powder, Powerful Powder This little disaster probably resulted from 9-11. I get the impression that the project was halted halfway through and was just shoved out in this form. No great loss. But it does have two interesting elements. The first is Lena Olin. I think she is one of the most interesting woman… Continue reading Ignition (2001)
Identity (2003)
10 Conversations about One Thing About half of all films today are of the type that directly tinker with the narrative in some way. Usually the game is intended to play with the role of the viewer, tricking him into being a co-creator of the story. Sometimes it is simpler, where the writer takes the… Continue reading Identity (2003)
Jabberwocky (1977)
Bonecrushing Display of Phosphorescence Rest assured that there is little relationship between this film and Carroll’s poem about his father’s crusade against French etymology. Instead, we have the first chapter in Gilliam’s quest for an appropriate vehicle for his imagination. That imagination isn’t comic in the ordinary sense. Gilliam’s world is one which is architecturally… Continue reading Jabberwocky (1977)
JFK (1991)
Conspiracy of the Simple I have my own theory about film. There is always an explicit acknowledgement that what you are seeing is a film, distinct from reality. Many films incorporate that recognition into their being; the simple ones are just films about films and filmmaking, but there are other sophisticated ways of self-reference. It… Continue reading JFK (1991)
Exit to Eden (1994)
Whipped I am particularly attracted to odd genre-crossing experiments that fail. When they work, the reasons why are too tied to the mysteries of perception to tease out. Like explanations of the economy, they are all speculations bound to be bogus. But failures are easier to understand and appreciate. Gerry Marshall has accumulated some heavy… Continue reading Exit to Eden (1994)
Aguirre, the Wrath of God (1972)
The Women This is an amazing experience, becoming more so the further we get from it. When I see “Apocalypse Now, or even “Mosquito Coast” I see this. In fact whenever I see both an actor and a director/writer risking all in a coordinated way, I see this. And when I see a combination of… Continue reading Aguirre, the Wrath of God (1972)
Heart of Glass (1979)
The Heart of the Film Soldier Some films come wrapped in their own skins — distinct beings, which can be taken as they are. But many films come with connections to their context, usually in the distraction of seeing a familiar actor. Cinephiles follow certain filmmakers and develop certain expectations and understandings over a career.… Continue reading Heart of Glass (1979)