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Re Lear (1910)
Filmmaker(s): Gerolamo Lo Savio

Hand-tinted Italian verison of the Shakespeare Classic King Lear.

<strong>Colour Only If you have not seen this, it is a pantomime of a play with all the characters and plot of “Lear,” but wonderfully coloured. Just looking at the colouring is an adventure because they are so abstract, so unnaturally pure. But the sad...


Published March 4, 2023
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King Solomon’s Mines (1950)
Lovers trapped in animal stampede!

Adventurer Allan Quartermain leads an expedition into uncharted African territory in an attempt to locate an explorer who went missing during his search for the fabled diamond mines of King Solomon.

The Voyage Only You need to compare this to “Out of Africa” and “African Queen”. And it compares very poorly indeed. Four-fifths of this is the voyage across Africa with only two purposes: to show off the then novel footage of the place, and to portray...


Published March 4, 2023
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The Kiss before the Mirror (1933)
The daring drama of two men, two women and the unwritten law.
Filmmaker(s): James Whale

When a famous doctor kills his adulterous wife, he is defended by his best friend, an attorney who suspects that his own wife is having an affair.

Sight, Insight. We used to have such a thing as a courtroom movie. The lawyer — usually the lawyer for the defence — would make a presentation designed to affect us while it affects then, often in the same way. Think Atticus Finch. These projects revolve...


Published March 4, 2023
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Sherlock Holmes (1954-1955)

The first American television series of Sherlock Holmes adventures aired in syndication in the fall of 1954. The 39 half-hour mostly original stories were produced by Sheldon Reynolds and filmed in France by Guild Films, starring Ronald Howard as Holmes and Howard Marion Crawford as Watson. Archie Duncan appeared in many episodes as Inspector Lestrade. Richard Larke, billed as Kenneth Richards, played Sgt. Wilkins in about fifteen episodes. The series' associate producer, Nicole Milinaire, was one of the first women to attain a senior production role in a television series.

Sluggo Yet another appropriation of the Holmes character. In this case, they had 23 minutes to fill with enough attractiveness to sell stuff. The form demands light banter, very simple plots and secondary characters, and lots of slugging. Slugging is required. Like other appropriations of the Holmes...


Published March 4, 2023
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Kinsey (2004)
Let's talk about sex
Filmmaker(s): Bill Condon

Kinsey is a portrait of researcher Alfred Kinsey, driven to uncover the most private secrets of a nation. What begins for Kinsey as a scientific endeavor soon takes on an intensely personal relevance, ultimately becoming an unexpected journey into the mystery of human behavior.

The Wrong Interview Here’s a major problem in drama: you want to deal with big issues, great disembodied, cosmic sweeps of things. Things that people love or make them suffer. This is why people come. But the tools we have to display these things are humans, usually....


Published March 4, 2023
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Kingdom of Heaven (2005)
Be without fear in the face of your enemies. Safeguard the helpless, and do no wrong
Filmmaker(s): Ridley Scott

After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.

A Trip to Holy Ground Ridley Scott is the current and all time master of the big budget long form film, no question. Most big budget productions are really collections of episodes. Few filmmakers have the control to manage the hoards of creative talent that are...


Published March 4, 2023
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Kingdom Come (2001)
They're not perfect, but they are family.
Filmmaker(s): Doug McHenry

When her husband keels over from a stroke, Raynelle Slocumb calls the entire clan together to remember their dearly departed. Family tensions reach a comedic boil as the wildly dysfunctional Slocumbs squabble and fight their way to the funeral.

<strong>The Pulpit It must be quite a challenge to create films to feed a distinct audience of any kind. You can only go so far with stories about gangstas, earnest kid transcends the ghetto, black dating plots, Eddie Murphy farts, and Denzel “pride” movies. This...


Published March 4, 2023
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Kiss Me Deadly (1955)
Blood red kisses! White hot thrills! Mickey Spillane’s latest H-bomb!
Filmmaker(s): Robert Aldrich

One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.

Who Knows? There i s nothing more invigorating like true noir, and there are very, very few of those. This is one that ranks with “Touch of Evil“ and “The Long Goodbye.” Good noir is not a matter of tough talk and dark shadows. It is a...


Published March 4, 2023
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Kite (2014)
Never underestimate a girl with nothing to lose.
Filmmaker(s): Ralph Ziman

When Sawa's mother and policeman father are found victims of a grisly double homicide, she begins a ruthless pursuit for the man who murdered them. With the help of her father's ex-partner, Karl Aker, and a mysterious friend from her past, she becomes a merciless teen assassin, blasting her way through the dark world of human trafficking only to uncover a devastating truth

Raped This could have been a good movie. I’m particularly sensitive to the cinematic power of sexual exploitation — after all, that’s pretty close to much of the cinematic experience. And child molesting adds great power to the experience. Also, I like Manga’s sometimes honest approach to...


Published March 4, 2023
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Knight and Day (2010)
Every Hit Man Deserves a Second Shot!
Filmmaker(s): James Mangold

A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.

The True Power Source Some things work in spite of themselves. Like the Agency depicted, this film is its own worst enemy, clumsily shooting itself at random opportunities. It should simply self-destruct. This is one of those films-by-frightened-committee that are rewritten and reshot in progress, so...


Published March 2, 2023
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