A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.
06 Aug King Lear (1987)
English Recursion Meets French Semiotics Lear is about sight and truth, and incidentally about how devilish charms (derived from the audience's participation and perception) bend sight and truth. So it (and the similarly placed ‘The Tempest') are naturals for film, especially self-referential films about films and...