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The Brothers Bloom (2008)
They'd never let the truth come between them.
Filmmaker(s): Rian Johnson

The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job – showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.

Yes I say, Yes Yes (No) The structure here selects one of the few models we have for dramatizing inner complexities. The grand problem is that people are fascinating, but we need a narrative skeleton to ‘see‘ into them. One choice is to take a standard...


Published February 16, 2024
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The Secret Life of Words (2005)
Filmmaker(s): Isabel Coixet

A touching story of a deaf girl who is sent to an oil rig to take care of a man who has been blinded in a terrible accident. The girl has a special ability to communicate with the men on board and especially with her patient as they share intimate moments together that will change their lives forever.

Blind Spots, Clarity This is what Cassavedes thinks of as simple and direct theatre, a pipeline to emotions. The idea is to simplify, presumably to purify. We have a remote oil rig with two full characters and a handful of surrounding beings. Our man (played by Tim...


Published February 16, 2024
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The Passenger (1975)
I used to be somebody else...but I traded him in.

David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.

Dying Authentically, Inside Out I watched this again because of the recent loss of Maria Schneider. She was at times important to some influential film experiences by actively supporting passivity, and thus was a sort of transition archetype. And it reminded me once again of the...


Published February 16, 2024
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Central Park Joker (2011)

The Slipperiness of Beginnings I‘m pretty steeped in long form, why it works and how to increase effect. There is the assumption in long form, that you can contain some structure that by itself matters, and in doing so fits into the larger narratives that surround...


Published February 16, 2024
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Source Code (2011)
Make every second count.
Filmmaker(s): Duncan Jones

When decorated soldier Captain Colter Stevens wakes up in the body of an unknown man, he discovers he's part of a mission to find the bomber of a Chicago commuter train.

Time and Times and Half Time An unfortunate rule in science fiction is that you have to explain the world. Thus, you have to maintain three story lines. One is the story that you give the viewers to get them from where they are to where...


Published February 16, 2024
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I Am Number Four (2011)
There were nine of us. Three are dead...
Filmmaker(s): D. J. Caruso

A teenage fugitive with an incredible secret races to stay one step ahead of the mysterious forces seeking destroy him in this sci-fi action thriller. With three dead and one on the run, the race to find the elusive Number Four begins. Outwardly normal teen John Smith never gets too comfortable in the same identity, and along with his guardian, Henri, he is constantly moving from town to town. With each passing day, John gains a stronger grasp on his extraordinary new powers, and his bond to the beings that share his fantastic fate grows stronger.

The Bad Guys I suppose we will have to endure a succession of movies which feature adults pretending to be high school kids. There will be the girl next door falling in forever-love with a supernatural guy, who is threatened. There is not much here to even...


Published February 16, 2024
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Me and Orson Welles (2008)
All's Fair in love and Theater.
Filmmaker(s): Richard Linklater

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

F is for Fake Okay, start with one of the most interesting and influential characters in film. Make a film that has him in it. Take one of the most interesting and theatrical productions in theatre, present it is as film and make the same film...


Published February 16, 2024
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Tokyo Drifter (1966)
Filmmaker(s): Seijun Suzuki

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

Holy Cheese Knives If you are fed up by ordinary manufactured campiness, but still have normal levels of humour.. Which is to say if you find Austin Powers not only boring but trivial, you might check this out. It is high camp. It is ridiculous in...


Published February 15, 2024
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Mother (2009)
She'll stop at nothing.
Filmmaker(s): Bong Joon-ho

A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.

Torque Sheer Most storytellers want to take you somewhere into the soul, but all they have to work with is the externalities, the actions of humans. You don’t have many strategies to work with. A common one is to place the examined soul in the midst...


Published February 15, 2024
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