I Am Cuba (1964)

Sculpted Spatial Force Is this the best film ever made? For me today in its afterglow it is. I’m so fickle. I think if all else were equal, I’ll always take embodied, real cinema that is coherently integrated. The way of telling the story is ideally complex and folded, using tricks to make the story… Continue reading I Am Cuba (1964)

The Matrix Resurrections (2021)

The Game I’ve enjoyed the series in spite of itself. When it started, it had three things going for it: a general stylishness, some original fight choreography, and a novel world’s cosmology. The first two have since been bested, including films with Keanu. We still have the cosmology, the world. That’s what you build your… Continue reading The Matrix Resurrections (2021)

Rikyu (1989)

Broken Black Bowl Film can be something thinly exploited for pleasure, or it can serve as tool for living. Many films span the two existences, but not this one. If you are looking for a way to amusingly spend time, this isn’t for you. But if you want something that is intensely lush and explicitly… Continue reading Rikyu (1989)

Siberiade (1979)

2001: Blondsongs, Gasroads and Fogsex Inexplicably this is compared to “Doctor Zhivago,” I suppose because there are Russian revolutionaries. Egad. The films couldn’t be more different. This is inspired by “2001.” Equally inexplicably, “Solaris” is called the Russian 2001 because. Heck, because it has space hardware. Jees. The structure of “2001” is its reason to… Continue reading Siberiade (1979)

The Adventures of Sherlock Holmes and Doctor Watson: King of Blackmailers (1980)

Europe in Disguise This is a Russian TV production, closely following the Conan Doyle stories. Comments that I have seen accept it as a good version, mostly on the basis of the characterisations. But I find it dreadful, and credit two influences. The first is my understanding of the role the Holmes stories played and… Continue reading The Adventures of Sherlock Holmes and Doctor Watson: King of Blackmailers (1980)

Indochine (1992)

Communism as Theater Nothing has the same flavour of sadness as a film gone awry, especially a film with weight. And this has weight at least from its aspirations and budget — even more from the much delayed European examination into their colonial crimes. There’s some lovely photography here, but none of it is cinematic.… Continue reading Indochine (1992)

Kate (2021)

Western Appropriation What a mess. Looks like the Wick movies are dragging a huge part of the industry behind tough guys and modern gunfight choreography. Here and in ‘Nobody’ the formula is three big set pieces strung together by trusted tropes. This one is more offensive — at least to me — because I am… Continue reading Kate (2021)