Lightyear (2022)

Andy’s World The first thing — and the most important thing — a film does is establish where it will sit between your mind and the worlds you know. Often there is some clever interplay between what it is directly, and what games it will play with you about that identity and yours. I’ve called… Continue reading Lightyear (2022)

Inside the Room (1935)

Clean on Top, Dirty on Bottom There are several events in US history that damaged the nation. We will not recover from the Civil War for generations if current politics remain, as they surely will. Prohibition and abortion. Wars. Book burnings. Among these is the Hayes act. Just as we were discovering the narrative power… Continue reading Inside the Room (1935)

Top Gun Maverick (2022)

Practical Performance Gosh, there is so much not to like here, on top of the fact that this reinforces a positive trend in film; the effects are largely practical, pitting Cruise against Cameron for the future of film. We could probably stand the competition for our imagination. I heartily endorse it, and I think it… Continue reading Top Gun Maverick (2022)

Wrath of Man (2021)

Armoured A bit disappointed in Richie. This is a solid production. Nothing wrong. Timing and pacing are near perfect, as these things require. The drone in soundtrack is apt. The nested flashbacks are exactly where they need to be to get us hooked in that important early phase. But Richie’s work is normally risky with… Continue reading Wrath of Man (2021)

Cruella (2021)

Princess Leyline One way to look at this is why it was made. Clearly, Disney marketing has found a princess niche not served by the direct approach. You have to admire the art of discovering and mining a market. Perhaps no one can do what these folks do in discovering and exploiting tween girl urge.… Continue reading Cruella (2021)