Competent Navigation I am seeing many complaints about the ‘wokeness’ of elements of this. I suppose that is just how America is put together now. Some large number of vocal folks will find lucid history not to their liking. For me, I find the modern reworking of tropes from Moby Dick and Treasure Island refreshing.… Continue reading The Sea Beast (2022)
Category: New Comments
Comments made since the IMBD era, for here
King Richard (2021)
The Cosby Curse One of the effects of a rich society is the luxury of spending time watching sports, engaging with the intricacies of statistical pockets, and the supposed drama of its celebrities. Only film and its media feeders can similarly create such icons, so it is natural that the two overlap, with TeeVee as… Continue reading King Richard (2021)
Strange World (2022)
Ted’s Law Forget the story; despite the appealing message(s) this is not a decent way to spend time. But it does illustrate a principle I have noticed, which I believe applies universally in film projects and in most successful introspective AI projects. I modestly call this ‘Ted’s Law’. Here’s how it works in this case:… Continue reading Strange World (2022)
Death on the Nile (1978)
Faces and Places I recently rewatched this because of the Branagh version. We now have three: this Ustinov version, a later Suchet, and the recent Branagh. I see that my original comment — likely 20 years ago — was one of those deleted from IMDB by a fellow angry about unrelated remarks about proselytising christian… Continue reading Death on the Nile (1978)
Avatar: The Way of Water (2022)
Dimensions This comment is of a threeD viewing in a well appointed theatre. Quite apart from all else, this is the best blocking of a 3D film I have ever experienced. If you can, have this experience in a proper setting. We used to have to worry about the quality of the film stock so… Continue reading Avatar: The Way of Water (2022)
Female Fantasy (2015)
Mass Transit This short is just barely listed in IMDB, with no reviews or ratings. It has no dialogue. The ‘story’ is simple: a young woman sits next to a guy at a bus stop and has a fantasy about having sex with him. On the surface, what we see is her masturbating and fantasising,… Continue reading Female Fantasy (2015)
Holmes & Watson (2018)
Deductions This did not make me laugh. Apparently it had the same effect on almost everyone. But I credit these folks with taking risks. Humour is an evolving quality, and some brands of humour demand being on an edge between the unexpectedly awkward and the emotionally obese. The uncomfortable thing for me is that I… Continue reading Holmes & Watson (2018)
Monitor: The Prince of Denmark (1963)
Astonishingly Internal This is a BBC interview show that has Orson Welles, Peter O’Toole and some other older fellow (Ernest Milton) talking about ‘Hamlet’. Orson was well into retirement from attempting film masterpieces, including two ambitious Shakespeare productions. His ‘Othello’ is really something. He’d been in two stage Hamlets at this point which he disparages.… Continue reading Monitor: The Prince of Denmark (1963)
The Midnight Sky (2020)
Dersu Solaris Films about filmmaking and internal narrative will always get poor reception among the general public. Nolan is able to straddle the line by delivering worldly action; that’s why his effects have to be so practical. But in general, when you make a film with this type of introspective power, and you are not… Continue reading The Midnight Sky (2020)
Elvis (2022)
Whole Lotta Shakin’ Baz reinvigorated film. It was a simple concept, and advanced by others long before: having the camera in the chaos. My first experience with this was “Red Shoes”, which though novel in its time isn’t even notable today. What Moulin Rouge did was merge the noir concept — which makes the viewer… Continue reading Elvis (2022)