The Outfit (2022)

Patterned Don’t read until after seeing this. Very likely, the effectiveness of this comes from a few key people with deep experience in the stage, plus possibly one person with a sensitive philosophy of blocking. So if you talked to them, you’d get a bunch of very interesting, even fascinating tradecraft. But for me, that… Continue reading The Outfit (2022)

Bilitis (1977)

Wonder In collecting my old IMDB comments for moving to this site, I find a few hundred missing — possibly a thousand. There was an era in IMDB history — before Facebook and Twitter — where IMDB was a social media hub. My comments were an attractor for the worst sort, and they ended up… Continue reading Bilitis (1977)

Gumnaam (1965)

Indians This is a famously popular film in India. The composition is simple: a story that gives the film an existence, and a series of Bollywood musical numbers. I cannot recall ever experiencing such dissonance, because I am coming at the from a background in Christie. That tradition — at least the elements I like… Continue reading Gumnaam (1965)

Alibi Mark (1937)

Signs of Trauma, Film as Meal Wow, what a strange film. My interest in these comments is in the qualities of introspection: where the viewer is placed in the narrative and how different layers of that stance are manipulated. The CCC, as duly described in this film, was a sort of civilian army designed to… Continue reading Alibi Mark (1937)

Bullet Train (2022)

Stations I admit to thinking the Deadpool experiments are offensive. They have introspection of the kind I study, but it is one-dimensional and the humour doesn’t justify the sacrifice of self-aware sophistication. But this folds in the best parts of ‘Pulp Fiction’, and I find it superior in many ways. I find Tarantino’s literal quotes… Continue reading Bullet Train (2022)