Cruella (2021)

Princess Leyline One way to look at this is why it was made. Clearly, Disney marketing has found a princess niche not served by the direct approach. You have to admire the art of discovering and mining a market. Perhaps no one can do what these folks do in discovering and exploiting tween girl urge.… Continue reading Cruella (2021)

The Woman in the Window (2021)

Painful You wonder why filmmakers make the choices they do. Here is a filmmaker who specialises in acute realism, expansive vision and narrative clarity. He’s chosen a project designed to expand his palette, one that depends on claustrophobic madness and resulting visions. These visions are what we need for the untrusted narration. I don’t know… Continue reading The Woman in the Window (2021)

Army of the Dead (2021)

Legionnaire’s Disease I was completely taken by “Sucker Punch”: layered, visually imaginative. Narrative ambiguity and engineered parallel causality. “300” on the other hand seemed an unadorned testosterone arc. In both cases, the visual composition was notable, in terms of mastery of rhythm. This is more on the simple side, albeit festooned with all the shooting… Continue reading Army of the Dead (2021)

Monster Hunter (2020)

Lovers Back when I was doing this full time, I maintained a database of films where the filmmaker and actor (usually an actress) were lovers. It often imparts a situated intimacy, because you nearly literally see a soul through a lover’s eyes. Is there anything as erotic in fiction? I’m thinking of a Judy Garland… Continue reading Monster Hunter (2020)