A black ops soldier seeks payback after she is betrayed and left for dead.
Needles saw this years ago and could not find anything useful to say about it. I saw it again because I am trying to understand what Soderbergh is doing with his life. He worries me because I have invested part of my life to films...
Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York's lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, "the girlfriend experience." With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made... until a new client rocks her world.
Risks of Borrowed Eyes satisfies because he is fearless in a way that Herzog could never be. Herzog goes toward danger in order to capture experiences, but he relies on cinematic methods and narratives models that are safe. Indeed, he never innovates or experiments here....
A man works for the unpleasant guru of a Scientology-like movement.
Duals am glad that Soderbergh is making films, even if every other one is a glossy mess. Like many filmmakers, he lives in and loves the medium. Unlike most of them, he experiments in film with things that matter — and he does it while...
A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment.
Powdered Banana we have a master filmmaker, someone who can squeeze a brilliant vision out of just about anything. We have a very talented and experienced scriptwriter, someone who has impressed before. And a very competent actress who fills the role well. She has a...
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
Proustian Out and Back deserves respect, as much for his failures (‘Brokovich,’’Traffic') as his successes (this, ‘Sight,’’Videotape'). When he experiments, it is with simultaneous layers of different kinds involving the eye, the mind, time, remembrance. Here he works on small, intimate layers, small visions of the...
When intelligence agent Kathryn Woodhouse is suspected of betraying the nation, her husband – also a legendary agent – faces the ultimate test of whether to be loyal to his marriage, or his country.
Section 39 am designating this as the first ‘four’ of 2025. I allow myself only two films from a year that have this recommendation. They are the films that I think either changed filmdom, or changed me and it is rare that a mainstream film...