Sherlock Holmes in the 22nd Century (1999-2001)

Plot Mines For the sake of completeness of my Holmes project, I watched a couple episodes of this. The fancy is that Holmes is placed 200 years in his future. The future setting allows the animators to use all sorts of visual shorthand for sets and situations. The appropriation of Holmes allows the writers existing… Continue reading Sherlock Holmes in the 22nd Century (1999-2001)

Austin Powers: International Man of Mystery (1997)

The Pamela Urge I saw this with ‘Borat’. It didn’t work for me. Neither comedy did; the reasons seem related. If you put distance between something and it’s source, then you have opportunity for low humour. The closer you get to the original or the reference, the sharper you have to be on both sides… Continue reading Austin Powers: International Man of Mystery (1997)

Home Alone 3 (1997)

The Fighting Child Is there a more interesting case study than John Hughes? He invented a new genre and incidentally opened a new strain of cinematic techniques. But writing is like other major enterprises in life. Each hit on the pool ball does three things; it attempts to score, it completely changes the environment and… Continue reading Home Alone 3 (1997)

Killer Condom (1996)

No Protection When I enter one of these worlds, I expect risk. Not by itself of course, but paired with clever insight, unusual metaphor or sliding perspective. But above all, risk. Their risk is my risk. Quite literally, I enter these film relationships promiscuously without protection, bare, expecting permanent change. That’s why I have higher… Continue reading Killer Condom (1996)

Kid in King Arthur’s Court (1995)

Merlin’s Reds The magic of the legend is that it is presented through the prism of Merlin’s magic. It is the English thread of self-referential literature that balances the Spanish Don Quixote. In this thread, the teller is a magician and all of the “reality” we see is fabricated as the illusion, some of which… Continue reading Kid in King Arthur’s Court (1995)