Talk to Him A great joy in a life with film is to discover a film that is competent and coherent, that exists cinematically but which on reflection has dynamics worth rejecting. After all, you build your life not so much on absorption but on paring. A great sorrow in film is to encounter a… Continue reading Barcelona (1994)
Barbie as the Island Princess (2007)
Singable I came to this because I had a bad experience watching the Disney “Cinderella,” and wondered at what passed for acceptable these days. I chose what I thought would be the gene with the lowest standards. I picked wrong. I should have gone with preteen boy anime, because this is pretty darn good. The… Continue reading Barbie as the Island Princess (2007)
Barbershop 2: Back in Business (2004)
Nap Time I’m pretty sensitive to the social implications of black films. Some of us worked pretty hard to provide means for black voices to speak to their own (and other) issues and audiences. Gone are the days where a white establishment could exploit bug-eyed, stupid, violent stereotypes of blacks. Now blacks do it to… Continue reading Barbershop 2: Back in Business (2004)
Barbed Wire Dolls (1976)
Captured I’ve been involved in a dangerous business, diving into the catacombs of film, digging around in trash pits and seeing grand things. Part of this endeavour comes from my appreciation for the vitality of film today which in large part is anchored by Spanish and Spanish-speaking filmmakers. There’s an easy sliding of realities, a… Continue reading Barbed Wire Dolls (1976)
Barbarella (1968)
Which Skin? There are only a few films that can be called roots. 1968 generated two of them, “2001” and this. “2001” is about the ambiguities of who is narrating. This is about the ambiguities of where the skin is. From the very beginning, the prurient peeling of the spacesuit, to the marvellous suits she… Continue reading Barbarella (1968)
BAPS (1997)
The Curse of the Story Projects like this start with the notion of self-parody. You create funny characters that carry a funny world with them. The Waylons do a good job at this, with the mannerisms so over the top you are aware of the actresses at every moment. TeeVee skits can work on this… Continue reading BAPS (1997)
Banger Sisters (2002)
The Photos Would Have Been Funnier Yow, another formulaic movie that preaches breaking out of the formula. Another staid, risk-free production that promotes the taking of risk. Another film about film writing whose chief fault is the script. The setup is simple: comfortable but compromised person is confronted and sees the error of their ways… Continue reading Banger Sisters (2002)
Ballets Russes (2005)
Dancer’s Eyes I haven’t enjoyed a movie this much in years. One filmmaking challenge I have been puzzling over for years is how to film dance. It is not enough to have a camera placed in a stationary place as if sitting in a theatre looking at a stage. When I am at a physical… Continue reading Ballets Russes (2005)
Ballerina (2006)
Control There are no films like dance films. Dance is one of the few things that is inherently cinematic, especially when the camera moves, perhaps with energy. Ballet on the other hand is not friendly to film, at least the classical Russian model. The choreography is designed to affect the patron sitting, watching from one… Continue reading Ballerina (2006)
Bad Taste (1987)
The World as Hamburger Sometimes, if we are lucky, a film plants itself deep in our souls and thrives there. Other times, a film is something different: an invitation to a party in the world of the filmmaker. In that case, it cannot touch you and as long as you know there is no danger… Continue reading Bad Taste (1987)