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Duel at Diablo (1966)
Yesterday they fought each other – today they fight together in a dead end canyon called Diablo!
Filmmaker(s): Ralph Nelson

While crossing the desert, a frontier scout, Jess Remsberg, rescues Ellen Grange from a pursuing band of Apaches, and returns her to her husband, Willard Grange. He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller, a veteran of the 10th Cavalry. The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen's baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.

Old Paint is absolutely amazing to me how badly a movie can age. I saw this one in the theatres when new. I remember thinking it was acceptable at the time. There was an actress that I knew from Bergman. There was the surprise of...


Published November 22, 2022
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Poirot: Dumb Witness (1966)

An elderly woman confides to Poirot that she fears one of her relatives is trying to kill her for her money. He persuades her to disinherit her heirs, but she is murdered anyway.

Script Mysteries Watching these Suchet versions of Poirot is a real adventure. Following the tradition set by the BBC, each episode has a different adapter and director. The idea is that it is supposed to keep things fresh. After all, the selling points are the...


Published November 25, 2022
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Au hasard Balthazar (1966)
Filmmaker(s): Robert Bresson

The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.

Burdens the celebration a film has garnered becomes a burden. This is perhaps the most burdened of all the films I know. The Criterion DVD has a French TeeVee program made when the film was released. It features French intellectual celebrities (which is what France...


Published November 28, 2022
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Mademoiselle (1966)
Filmmaker(s): Tony Richardson

A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.

Dark Dread of the Marienbad Snake films, even artificially French ones like this, compress all their depth and simplicity of reading together. So that after the first few it becomes so boring you need to invent your own depth. In this case, we are helped...


Published January 24, 2024
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Tokyo Drifter (1966)
Filmmaker(s): Seijun Suzuki

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

Holy Cheese Knives you are fed up by ordinary manufactured campiness, but still have normal levels of humour.. Which is to say if you find Austin Powers not only boring but trivial, you might check this out. It is high camp. It is ridiculous in...


Published February 15, 2024
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Blow Up (1966)
Sometimes, reality is the strangest fantasy of all.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Double Folding consider this a fine example of a doubly folded film. The first fold is the much commented fold between the filmmaker and his chief character. Some rather obvious matters of reality and the projected image are explored. You can read about them in...


Published November 23, 2024
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Andrei Rublev (1966)
Filmmaker(s): Andrei Tarkovsky

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

Knowledge as an Impediment follow several threads of fine films. Most of these concern intelligent notions of structure, of architecture. Welles, Greenaway, Eisenstein, Kurosawa. These mend sense and intellect enhancing both. But there is another thread, one that eschews selfaware structure -- where idea is anathema....


Published December 11, 2024
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The Sinister Monk (1965)
Filmmaker(s): Harald Reinl

A hooded serial killer finds a novel way to murder his victims--he lashes them to death with a whip. The police try to track him down before any more murders occur.

4 Conspiracies the heyday of mystery writing, we had Sayers, Christie, Chesterton and a dozen others who were artists of narrative curves. The game was to create a world, but us in it and only later let us know how wrong we were. And then we...


Published May 13, 2022
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Alphaville (1965)
Suddenly the word is Alphaville... and a secret agent is in a breathless race against the Masters of the Future.
Filmmaker(s): Jean-Luc Godard

An American private-eye arrives in Alphaville, a futuristic city on another planet which is ruled by an evil scientist named Von Braun, who has outlawed love and self-expression.

Reduced gives us great advantages. One of these is that we can see art in terms other than the artist used in creating it. The French New Wave was an interesting and timely set of cinematic ideas that were burdened at the time by clumsy...


Published March 12, 2023
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Beauty #2 (1965)
Filmmaker(s): Andy Warhol

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

Seduction of what Warhol does for me is of the “oh, I get it” variety of art, where a statement is supposed to trigger an insight and the insight is the art. Its an indirection of agency, and wears out its effect quickly. But sometimes...


Published May 16, 2023
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