Metastories along the line, we lost the thread. The way we approach art has been transformed into a fixation on artist as celebrity. The practice of governing has been ignored in favour of fantasies about how we should be governed. It matters less what Johnny...
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.
The Story plenty of space for others to comment on how wrong the shape of this is, and whether Nichole is too wooden. Talk like that is boring to me. I enjoyed it in spite of it working hard against success. One reason is that I...
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job – showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
Yes I say, Yes Yes (No) structure here selects one of the few models we have for dramatizing inner complexities. The grand problem is that people are fascinating, but we need a narrative skeleton to ‘see‘ into them. One choice is to take a standard...
Borrowing something disturbing about American filmmakers going to other cultures to borrow porn tropes. ‘Kill Bill‘ just never seemed right, like a traditional Jewish grandmother making Tacos for her goyim daughter-in-law‘s brownie troop because she thought that’s what it was all about. Today, when we watch...
Set in 1982 in the suburb of Blackeberg, Stockholm, twelve-year-old Oskar is a lonely outsider, bullied at school by his classmates; at home, Oskar dreams of revenge against a trio of bullies. He befriends his twelve-year-old, next-door neighbor Eli, who only appears at night in the snow-covered playground outside their building.
Choosing (and werewolf) films have always been built on a foundation of sex, some approach to sex. Often the reference is blunt and the sexual issues unsophisticated, as in the ‘Twilight‘ franchise. Here we have something rather extraordinary, a well made film with a novel...
A dissolute scriptwriter and a dejected actor become unwittingly drawn into a labyrinthine mess when several people experience bizarre accidental deaths in their flat. Though the men didn't deliberately cause any of the incidents, they fear that they will be unfairly pegged as murderers if they relay information to the cops, and promptly set about disposing of the corpses in gruesome ways.
Interesting and Uninteresting Muddles again, we have a script concept that is promising enough to matter. Once again, we have an inept film built on that idea, inept because the writer wanted to be in it. The overall shape is an ordinary, explicit fold: one buddy...
At Oxford University, a professor and a grad student work together to try and stop a potential series of murders seemingly linked by mathematical symbols.
Talk Around Her is simply a fact that no film can stand by itself. Even when you deeply lose yourself in the experience, the cognitive machinery you use is different than in daily life — more toward directed dreamstate. Added to that is the knowledge...
Paris-based wine expert Steven Spurrier heads to California in search of cheap wine that he can use for a blind taste test in the French capital. Stumbling upon the Napa Valley, the stuck-up Englishman is shocked to discover a winery turning out top-notch chardonnay. Determined to make a name for himself, he sets about getting the booze back to Paris.
Jostled of these sorts of things. Something happens that when it happens around you, it seems pretty interesting. When someone thinks “they should make a movie out of this” usually they are wrong. The supposedly interesting thing here is that a California wine won a French...
Doormat Wesley Gibson is an office worker whose life is going nowhere. He meets a sexy woman named Fox and discovers that his recently murdered father - whom Wesley never knew - belonged to the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan, the Fraternity's leader, teach Wesley, through intense training, to tap into dormant powers and hone his innate killing skills. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.
Shoots Itself in the Head a trend in these big budget action moves to try and support the thing with hefty story components: profundity, explorations of fate and power (often via revealed conspiracies). We come to expect this, and I believe have rather clear thresholds...
Bolt is the star of the biggest show in Hollywood. The only problem is, he thinks it's real. After he's accidentally shipped to New York City and separated from Penny, his beloved co-star and owner, Bolt must harness all his "super powers" to find a way home.
Locked Door is a children‘s film in the modern mould. That means it has to have cinematic values that affect and impress, and at the same time sport an acceptable message. Usually it about the value of family and finding self; here it is both....