Category: Threes

Space There are from time to time successful presentations in the sense that the characters work. You understand them well enough to have some genuine acceptance of their reality as humans, but that means you realise that there are things going on that do not have straight-line causal mechanics. This inscrutable humanness gets you past… Continue reading Before the Devil Knows You’re Dead (2007)

Reluctance Finally, Linklater does something with his talent. His strength in the past has been to shape the form of his films to match the subject. At least that’s been true when the subject is the tentativeness of existence. He’s done well enough in the past, but since his characters were aimless his projects inherited… Continue reading Before Sunset (2004)

The Piano Sometimes a film makes a long, long journey. For me this happened in several ways. The first is in real time. I saw this a couple decades ago in the short version. I was unimpressed. The word on it then was all about the first scene, how it was supposed to be “real”… Continue reading Betty Blue (1986)

Credible World Science fiction movies are an odd thing. They and “detective” movies depend more heavily on literary conventions than other types of films. But you know, where detective movies have swallowed the form and adapted in rich ways, science fiction hasn’t settled gently into film. Its an odd, unintuitive truth, despite the flood of… Continue reading Æon Flux (2005)

Good kids You know what is really fun? Choose a director you like, then trace the ideas you like about him back through two paths: the films by others that surely influenced him, and also back through his own earlier work. I like Rodriguez. I do. I like the risks he takes, his proclivity to… Continue reading Bedhead (1991)

The Space as a Character This is the sixth or seventh in the series that I have seen. BBC has a policy of putting different creative crew in charge of each one, so they vary significantly. I found the “Alien” and “Batman” franchises to be a mini-lesson in film techniques, and this is a lot… Continue reading Miss Marple: At Bertram’s Hotel (1987)

Sweet Arabian Skins This, to my mind, is a terrific concoction. It has no story to speak of. Oh, there’s some motion and noise but they are only there to give us something to look at while the three main notions unfurl, all of which are magically competent. There are the songs. Disney can do… Continue reading Aladdin (1992)

The Choreography of Layers The history of anything involves trying to discover the accidents of convention that stuck. Movies could have taken off from any of a number of the already mature arts: especially painting. It turned out — much the worse I fear — to have adjusted to become a continuation of drama, probably… Continue reading The Barbershop (1894)

42nd Street in the Rain The colour musical film is a strange beast. Hollywood explored many of its possibilities. And people did buy lots of tickets. But until very recently, musicals were all but dead. That’s because they were never able to create a self sustaining genre, actually what they missed were a few constants… Continue reading The Band Wagon (1953)

Three Characters We all live in our own movies, and particularly like movies of people who do so more literally. Here are three in one film: Martin Scorsese: My regular readers know that I have been very critical of his films. Sure, they are crafted well enough, but the world he created was not one… Continue reading The Aviator (2004)