Blended Family, Family Secrets I can say that I witnessed an appreciative audience as my ten and eleven year old whooped and hollered at the stunts, oblivious to the surrounding machinery. For them, and I suppose many viewers, the movie other than the action sequences is there only to support those segments. So the less… Continue reading F9 (2021)
Æon Flux (2005)
Credible World Science fiction movies are an odd thing. They and “detective” movies depend more heavily on literary conventions than other types of films. But you know, where detective movies have swallowed the form and adapted in rich ways, science fiction hasn’t settled gently into film. Its an odd, unintuitive truth, despite the flood of… Continue reading Æon Flux (2005)
American Wedding (2003)
A Franchise Matures Wow. There are few things more interesting than the evolutionary forces of the market that push and pull something to ensure survival. I’m a strong believer in how market forces shape film, even our most exotic art films. This isn’t art, of course, not in the usual sense. But it is a… Continue reading American Wedding (2003)
Bedhead (1991)
Good kids You know what is really fun? Choose a director you like, then trace the ideas you like about him back through two paths: the films by others that surely influenced him, and also back through his own earlier work. I like Rodriguez. I do. I like the risks he takes, his proclivity to… Continue reading Bedhead (1991)
Beavis and Butt-Head Do America (1996)
Missed Baywatch I’m constantly amazed at how quickly some fresh, edgy cinematic ideas go stale. This was strange enough it its time to be noticed: the placement of the narrative stance within the sixth grade. Having played its small role in advancing the scope of narrative irony, it is now merely stupid. I guess the… Continue reading Beavis and Butt-Head Do America (1996)
Miss Marple: At Bertram’s Hotel (1987)
The Space as a Character This is the sixth or seventh in the series that I have seen. BBC has a policy of putting different creative crew in charge of each one, so they vary significantly. I found the “Alien” and “Batman” franchises to be a mini-lesson in film techniques, and this is a lot… Continue reading Miss Marple: At Bertram’s Hotel (1987)
Moulin Rouge! (2001)
Glorious Absinthe Prostitution This film is crafted of many common narrative elements: The rich cad versus the poor lad for the girl (with the conceit that love is unavailable to the wealthy ‘unreal’ class) The girl who must renounce her love to save her lover (only to lose her own life) The notion of players… Continue reading Moulin Rouge! (2001)
Alicia (1994)
Stillborn This is purely personal, but I have a few wickets through which a film must pass for me to willingly splice it into my imagination. I’m only talking here about films that present themselves as art. — It has to be competent, which for me can translates into the degree to which it exploits… Continue reading Alicia (1994)
Aladdin (1992)
Sweet Arabian Skins This, to my mind, is a terrific concoction. It has no story to speak of. Oh, there’s some motion and noise but they are only there to give us something to look at while the three main notions unfurl, all of which are magically competent. There are the songs. Disney can do… Continue reading Aladdin (1992)
The Basketball Diaries (1995)
Visions of the Other Side Unless you are just filling space until you die, you’re going to want something out of experiences like this. The idea is supposed to be that someone can guide us to alternative worlds and report back with something useful or at least interesting. It is not enough to merely watch… Continue reading The Basketball Diaries (1995)